Piktografik Tiyatronun Biçimsiz Dinamizmleri: Bedenleşmiş Çizgi Roman Deneyiminin Deleuzecü Fenomenolojisine Doğru

Vivian Sobchack’s Merleau-Pontian phenomenology of embodied film experience is applicable, with certain modifications, to the comics experience, especially when considering her analyses Gestalt closure, bodily affectivity, and synaesthesia. We adopt these concepts yet a different aim, namely, account for shocking, disorienting, decompositional experiences dramatically deformed bodies. For this task, we employ Gilles Deleuze’s philosophy shocking sensations their role in promoting “body without organs.” While it can be depicted comics, like Francis Bacon’s paintings, visual such figure may also communicate disordering forces viewing reader’s body as well, thereby shockingly disrupting own inner workings. test potential applicability Deleuzian by examining deformational bodies Peter Bagge, Mary Fleener, Craig Thompson, which will demonstrate aptness Deleuze-inspired analysis physiological shocks experience.